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SELF-PORTRAIT. 1925.
(Portrait de l'artiste)
Watercolor on paper, 5
1/8 x 3 3/8".
Jacqueline Matisse Monnier Collection.
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DANCING. 1925.
Oil on canvas, 34
x 19 1/2".
Private Collection.
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THE TESTAMENT OF JACQUES PRÉVERT.
1925.
(Le Testament de Jacques Prévert)
Oil on wood, 16
1/2 x
18 7/8".
Private Collection.
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RUE DE LA SANTÉ. 1925.
Oil on Canvas, 19 3/4 x 24 1/8".
The Museum of Modern Art, New York.
Kay Sage Tanguy Bequest, 1963.
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FANTÔMAS.
1925.
Oil on Canvas, 19 5/8 x 59".
Private Collection.
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TITLE UNKNOWN (THE GIANTESS, THE LADDER).
1926.
(Sans titre (La Géante, L'Echelle)
Oil on Canvas, 39 3/8 x 31 7/8".
Private Collection.
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THE GIRL WITH RED HAIR. 1926.
(La Fille aux cheveux rouges).
Oil on canvas, 24 x 18¼".
Private Collection.
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TITLE UNKNOWN. 1926.
Oil, collage, and sewn threads on canvas,
36 1/4 x 25 5/8".
Private Collection.
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I CAME AS I HAD PROMISED. ADIEU. 1926.
(Je suis venu comme j'avais promis. Adieu).
Oil on canvas, 32 x 25¾".
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection.
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UNTITLED. 1926.
Pen and ink and watercolor on paper,
13 1/8 x
10".
The Museum of Modern Art, New York, 1937.
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UNTITLED. 1926.
Pen and brush in ink on paper,
13 x 10 1/8".
The Museum of Modern Art, New York.
Kay Sage Tanguy Bequest (by exchange).
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THE STORM (BLACK LANDSCAPE). 1926.
(L'Orage (Paysage noir)).
Oil on canvas, 32 1/8 x 25¾".
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection,
1950.
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HE DID WHAT HE WANTED. 1927.
(Il faisait ce qu'il voulait).
Oil on canvas, 32 x 25
1/2".
Richard S. Zeisler Collection, New York.
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SHADOW COUNTRY. 1927.
(Terre d'ombre).
Oil on canvas, 39 x 31 5/8".
The Detroit Institute of Arts, Gift of Mrs. Lydia
Winston Malbin, 1974.
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SOMEONE IS RINGING. 1927.
(On sonne).
Oil on canvas, 32 1/4 x
26".
Private Collection, Switzerland.
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THE HAND IN THE CLOUDS. 1927.
(La Main dans les nuages).
Oil on canvas, 25 5/8 x
21 1/4".
Staatsgalerie, Stuttgart, 2000.
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EXTINCTION OF USELESS LIGHTS. 1927.
(L'Extinction des lumières inutiles).
Oil on canvas, 36¼ x 25¾".
The Museum of Modern Art, New York, 1936.
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MAMA, PAPA IS WOUNDED! 1927.
(Mama, Papa est blessé!).
Oil on canvas, 36¼ x 28¾".
The Museum of Modern Art, New York, 1936.
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DEAD MAN WATCHING HIS FAMILY. 1927.
(Mort guettant sa famille).
Oil on canvas, 39 3/8 x 28¾".
Museo Thyssen-Bornemisza, Madrid, 1975.
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FINISH WHAT I HAVE BEGUN. 1927.
(Finissez ce que j'ai commencé).
Oil on cancas, 39 3/8
x 31 7/8".
Private Collection.
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THERE! (THE EVENING BEFORE). 1927.
(Et Voilà (La Veille au soir)).
Oil on canvas, 25 3/4
x 21 3/8".
The Menil Collection, Houston, 1985.
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SURREALIST LANDSCAPE. 1927.
(Paysage surréaliste).
Oil on canvas, 39 3/8 x
31 7/8".
Staatliche Kunsthalle Karlsruhe, 1977.
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UNSPOKEN DEPTHS. 1928.
(Les Profondeurs tacites).
Oil on canvas, 39 1/2 x
28 3/4".
Private Collection, courtesy of Acquavella Galleries,
New York.
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UNTITLED. 1928.
India ink, colored pencil and watercolor on cardboard.
15 1/2 x 12
3/4"
(detail as seen in passe-partout).
Private Collection, Paris.
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UNTITLED. 1928.
India ink, colored pencil and watercolor on cardboard.
15 1/2 x 12
3/4"
(detail as seen in passe-partout).
Private Collection, Paris.
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OLD HORIZON. 1928.
(Vieil horizon).
Oil on canvas, 39 3/8 x 28 3/4".
National Gallery of Australia, Canberra, 1983.
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THE LOOK OF AMBER. 1929.
(Le Regard d'ambre).
Oil on canvas, 39 3/8 x 31 7/8".
National Gallery, Washington, D.C., Chester Dale
Fund, 1984.
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TITLE UNKNOWN. 1929.
(Sans titre).
Oil on canvas, 36 1/4
x 25 5/8".
Courtesy of Helly Nahmad Gallery, London.
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